I used Caribou Film Lab for the scanning/developing. All of these were shot on a combination of Kodak Portra 160, Ektar 100, Tri-X 400 and Fuji Neopan Acros 100 film. It doesn’t have better IQ (Image Quality) than the Pentax though, that’s why I still use the bigger one at weddings/engagements and other shoots. It also takes 36 exposures instead of 16. Weight, size and accurate internal light meter.
It has replaced my Pentax 645n medium format camera as my go-to travel and personal photography camera. Its light, looks great and has a very fast auto focus with remarkably reliable auto exposures as well. This little camera makes photography more fun. Without a doubt shooting personal photography makes you a better photographer. It allows me to practice my craft at a very slow pace with a lot more time for creativity and fresh ideas. I might grab a roll of b&w film and shoot at Yonge/Dundas on my own or sometimes I will go with a friend and take some shots together. There is very little pressure, no deadlines and only the race against the sun as it sets and ends the evening’s session. I mostly shoot weddings and baptisms so its always refreshing to do some personal photography.
A Contax G2 film camera along with the small, compact and delightful Zeiss 28mm f2.8 and 45mm f2 lenses. Alas, that is no longer the case, but if you find one in good condition, you can add to the legacy that Contax established.Ĭarl Zeiss 28mm f/2.8 Biogon with Kodak Tri-X 400Ĭarl Zeiss 28mm f/2.A few weeks ago I added another camera to my growing arsenal. If it weren’t the fact that Contax is no longer around and that parts are becoming scarce, the G2 would be a sure choice for analog camera lovers to pick up.
CONTAX G2 PORTRAIT MANUAL
While the rangefinder isn’t very bright, and is definitely smaller than a fully manual rangefinder, it offers parallax correction and it automatically adjusts itself for each focal length. I really like the composition and lighting of this photo, but I just have to ask whats going on with your hands It. With each negative aspect, there’s also a positive element to offset it. Self Portrait, Contax G2, 28mm, Kodak 400. It’s not as speedy as a SLR or as indestructible as a Leica M3, but it has a bit of both worlds-the automation of modern cameras and the elegance and intimacy of a manual rangefinder. The speed of the camera is remarkable for its age and class, as it’s faster than any other rangefinder. india gantsantmfilmanalogfilmisnotdeadlos angeleslaishootfilm35mmportraitmodelmodel testcontax g2zeissusaall americankitchendenim See all. The design of the body is so exact and precise, the lenses are trustworthy, and the autofocus is generally reliable-although as I mentioned in the video, quick portraits are an issue, so take the effort to check the distance confirmation in the viewfinder if you have time. In turn, the Contax G system is recognised as a triumph it has limitations, but then again, so does every other film camera. This reflects how Contax focused on the idea of ‘ less is more‘, and Contax’s ‘less’ was always more than most other brand’s ‘most’. The lenses (except maybe the 35mm f/2 Planar and the zoom), have gained renown for being some of the sharpest ever made for 35mm. Rather than make excuses or to blame the gear however, I seek only to highlight the advantage of the system-Contax only made seven lenses because it only needed that many. Then for street photography, the last of the official Zeiss lenses for the G system-the German-made 35mm f/2 Planar or 35-70mm f/3.5-5.6 Vario Sonnar-would have been incredible. For example, I wasn’t able to shoot as many portraits than if I had access to the famed Carl Zeiss 45mm f/2 Planar and 90mm f/2.8 Sonnar (even though we had no model anyway), or to capture more of the landscape with the 21mm f/2.8 Biogon and 16mm f/8 Hologon. The disadvantage is clear while the Biogon is tremendously sharp and demonstrates excellent contrast, it pretty much limited me to a certain type of image. It was both an advantage and disadvantage that when I was testing out the Contax G2, a mechanised rangefinder with both autofocus and auto exposure first introduced in 1995, I only had access to one of the seven lenses available to the system-the Carl Zeiss 28mm f/2.8 Biogon.
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